A short film review about HALLELUJAH
Witty characters who are living their own hell
But sometimes the films go further. They can reveal real
(and not necessarily realistic) problems. The short film Hallelujah is an
example: the story, which lasts less than 15 minutes, is told from the point of
view of witty characters who are living their own hell. But what happens next?
Is there really anything in it?
Boy decides to commit suicide and fails
In Hallelujah, we see two brothers relaxing in their
backyard in Compton, California. The girl is playing. The boy in the strange
clothes mumbles about books and existential matters. They are, to say the
least, impressed. But then the boy decides to commit suicide and fails. We then
learn that the boy has a strange interest in suicide and death. When the boy
and girl try to leave the house, they are chased by two men. They discover the
reason for the boy's strange thoughts.
Terrible and messy as a gang
Victor Gabriel wrote and directed "Hallelujah" for
one purpose. To try to understand the consequences of something as terrible and
messy as a gang. In the society he grew up in, violence is not accepted as
normal. This is an attempt to comment on the cynical normalization of such a
tragedy. And his commentary is raw and full of the strange hope that flourishes
in the strangest, most human of places, where families are born out of tragedy.
Creativity in the film's key scenes
It's impossible not to be reminded of John Singleton's style
of scene construction and Spike Lee's creativity in the film's key scenes at 9kmovies 2022.
Constantly filming characters being created and played out is a smart move
given the short film format. Tragedies happen when you least expect them (and
to the people you least expect). Facts become causes and then objects,
hallelujah.
Film about unconditional love
As you read above, Hallelujah is not a terrible short film.
Yes, it is tragic. But that's not a sad word. It's a poignant film about
unconditional love and, strange as it may seem, the predictability of crime in
the circles where it still reigns. For some, it has become a way of life.
Coupled with
impressive cinematography
Perhaps too much has already been said, but the humorous
elements of the film remind the viewer that this is not a simple, repetitive
message. The film's voiceover makes it seem like a comedy, but I assure you it
is not. The lead roles of Bruce Lymon, Richard Nevels, Stephen Leroy Thomas and
Mariah Farms are enough to make the film memorable. All of this, coupled with
impressive cinematography, makes the short film Hallelujah the perfect
embodiment of an idea that has yet to be fully expressed: love grows like weed
in the most unnatural and unacceptable places.
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